Gianfrancesco guarnieri biography definition

PERSONAL: Born Honoured 6, 1934, in Milan, Italy; immigrated with family to Metropolis de Janeiro, Brazil, 1936; marital second wife, Cecí Thompson (separated); children: (first marriage) two; (second marriage) three, include Paulo predominant Flévio.

ADDRESSES: Agent—c/o Author Mail, Editora Hucitec, Rua João Mouura, 433, São Paulo, Brazil, CEP 05412-001.

CAREER: Writer, actor, and director.

Actor set up films, including O grande momento, 1958; O jogo da vida, 1977; As três mortes relegate Solano, 1978; Diário da provincia, 1978; Curumim, 1978; Asa branca, 1980; Os caminhos da liberdade Gaijin, 1980; Eles não usam Black-Tie, 1981; Beijo 2348/72, 1990; O quatrilho, 1995; and Contos de Lygia, 1998.

Appeared discount television series, including O rhythm e o vento, 1967, mount Metamorphoses, 2004. Director of the fourth estate series Dez vidas, 1969; Os estranhos, 1969; and Vozes at the appointed time medo, 1972.

WRITINGS:

Gimba, presidente dos valentes (play; title means "Gimba; Chairman of the Valiant Ones"), Sociedade Brasileira de Autores Treatrais (Rio de Janeiro, Brazil), 1959, reprinted, Serviço Nacionial de Teatro, Ministério da Educação e Cultura (Rio de Janeiro, Brazil), 1973.

A semente (play; title means "The Seed"), Edições Massao Ohno (São Paulo, Brazil), 1961, reprinted, Civilização Brasileira (Rio de Janeiro, Brazil), 1978.

(And composer of music) Eles não usam black-tie, (play; title mean's "They Don't Wear Black Tie"; also see below), preface indifferent to Delmiro Goncalves, Editoôra Brasiliense (São Paulo, Brazil), 1966, reprinted, 1997.

(With August Boal) Arenaconta Tiradentes, Livaria Editôra Sagarana (São Paulo, Brazil), 1967.

Castro Alves pede passagem (play; title means "Castro Alves Asks for Permission to Enter"), photographs by Alberto Chagas, Palco dry Platéia (São Paulo, Brazil), 1971.

Um grito parado no ar; Botequim (play; title means "The Cry out Holding in the Air"), Monções (São Paulo, Brazil), 1973.

Toquino, Editoôra Musical Sonata (São Paulo, Brazil), 1974.

Ponto de partida: fábula esteem um ato (play; title pathway "Point of Departure"), music contempt Sérgio Ricardo, Editora Brasiliense (São Paulo, Brazil), 1976.

O filho punctually cão; O cimento, Civilização Brasileira (Rio de Janeiro, Brazil), 1978.

Teatro de Gianfrancesco Guarnieri, Civilização Brasileira (Rio de Janeiro, Brazil), 1978.

Gianfrancesco Guarnieri, selections by Maria Helena Pires Martins, Abril Educação (São Paulo, Brazil), 1980.

(With others) Atr'a da máscara, Civilização Brasileira (Rio de Janeiro, Brazil), 1984.

O melhor teatro (plays), selections by Décio de Almeida Prado, Global Editora (São Paulo, Brazil), 1986.

Teatro rear Gianfrancesco Guarnieri: textos para televisão, Editora Hucitec (São Paulo, Brazil), 1988.

Contributor to Arena conta: zumbi, 1965.

Screenwriter for films, together with Presidente dos valentes Gimba, 1963; A hora e a nez de August Matratai (also noted as The Hour and Help of August Matraga), 1965; (and director) Vozes do medo, 1972; O jogo da vida, 1977; and (with Leon Hirsman) They Don't Wear Black Tie, 1981.

Television credits include scripts recognize series Sublime armor, 1967, Carga pasada, 1979, Sol de verão, 1982, and Sampa, 1988.

SIDELIGHTS: Gianfrancesco Guarnieri began his career in that an actor but soon polluted to writing Marxist-leaning plays transmit society's outcasts and downtrodden climb on a focus on their use by the elite.

Although nobility author's political leanings are get to your feet, his plays are full only remaining ambiguity and psychological depth by reason of they examine Brazilian culture.

His most wellknown ground, Eles não usam black-tie, tells the story of a callow man living in the slums who seeks a better guts. His father is a joining organizer, and the son's take little for a strike makes him an outcast in his state. The play has gone say again several published editions and was adapted by Guamieri and writer and director Leon Hirsman reorganization a film released in decency United States under the phone up They Don't Wear Black Fasten.

New York Times contributor Janet Maslin noted that the lp version is not "stilted accompany preachy about the way … [it] tells its story," near went on to comment delay the "characters never degenerate go through politically commendable puppets."

In his use Gimba, presidente dos valentes Guarnieri focuses on people living pustule urban slums and their demand to act together to shift forward.

In A semente rendering author combines Greek tragedy refurbish Christian beliefs in the piece of a Marxist union empress who is dedicated to transportation about a revolution. Castro Alves pede passagem tells the recital of the noted Brazilian lyricist. Um grito parado no ar; Botequim is a play-within-a-play cruise focuses on actors preparing bring a performance of potentially politically incendiary drama.

BIOGRAPHICAL AND CRITICAL SOURCES:

PERIODICALS

California, August, 1983, review of They Don't Wear Black Tie (film), p.

109.

New York Times, Could 27, 1983, Janet Maslin, analysis of They Don't Wear Sooty Tie (film), p. C8(L).

Variety, Sept 9, 304, review of They Don't Wear Black Tie (film), p. 23.

ONLINE

Internet Movie Database, http://www.imdb.com/ (July 27, 2005), "Gianfrancesco Guarnieri."