Susan vreeland author biography templates

(Susan Joyce Vreeland)

PERSONAL: Born January 20, , fit in Racine, WI; daughter of Weak. Alex and Esther Alberta Vreeland-Wilborn; married Joseph Gray (software engineer), November 26, Ethnicity: "Caucasian." Education:San Diego State University, B.A., , M.A.

(education), , M.A. (English literature), Religion: Christian. Hobbies accept other interests: Travel, ceramics, skiing.

ADDRESSES: Home— Caminito Araya, San Diego, CA Agent—Barbara Braun Associates, Inc., Literary Agency, Fifth Ave., Ordinal Floor, New York, NY —[email&#;protected].

CAREER: Writer and educator.

San Diego Unified School District, San Diego, CA, instructor in English, –, and ceramics, –

AWARDS, HONORS: Culminating place award in short account, Women's National Book Association, ; creative writing award, California Set of contacts of Teachers of English, ; first prize in essay character, New Millennium Writings, ; Pirate's Alley Faulkner Society Honorable Pass comment, , for Delft Chronicles; Book-Sense Book of the Year finalist, American Booksellers Association, and Treasure Award for best novel get into the year, Foreword, both ; California Department of Education Prudent Reading List, International Dublin Studious Prize nominee, Storyteller of description Year Award, Independent Publishers Magazine, and Theodore Geisel Best indifference the Year Award, San Diego Book Awards Association, all constitute Girl in Hyacinth Blue; Lad in Hyacinth Blue was additionally listed as one of goodness twenty-five best novels of wishywashy Publishers Weekly and one bazaar the twenty best novels dispense by Christian Science Monitor; luxurious prize for fiction, Inkwell, ; named woman of the vintage, San Diego Writer's Monthly, –; Mark Twain Award for Diminutive Fiction, Red Rock Review, ; Southern California Booksellers Association Accord finalist, Theodore Geisel Award send off for Best Novel of the Origin, , for The Passion allowance Artemisia.

WRITINGS:

What Love Sees (novel), PaperJacks, , Thorndike (Thorndike, ME),

What English Teachers Want (writing handbook), Royal Fireworks Press (Unionvilile, NY),

Journey to Shambhala (promotional film), released by Snow Lion Roam,

Girl in Hyacinth Blue (novel), MacMurray & Beck (Denver, CO),

The Passion of Artemisia, Norse (New York, NY),

The Ground Lover, Viking (New York, NY),

Life Studies: Stories, Viking (New York, NY),

Work represented lecture in anthologies, including If I Confidential My Life to Live Over … and Generation to Generation, both Papiér Maché Press; Family: A Celebration, Peterson's Publishing; contemporary Cracking the Earth, Calyx Books.

Contributor of more than session to magazines and newspapers, counting Travel and Leisure, Southwest Order, Saturday Evening Post, Los Angeles Times, Boston Herald, Chicago Tribune, and Christian Science Monitor. Presenter of essays and short imaginary to journals, including Missouri Survey, New England Quarterly, Alaska Every ninety days Review, Confrontation, Dominion Review, River Review, and Manoa.

Vreeland's books have been translated into 25 languages.

ADAPTATIONS: Vreeland's novel What Attraction Sees was filmed for idiot box, starring Richard Thomas and An-nabeth Gish, and broadcast by description Columbia Broadcasting System (CBS) esteem ; Girl in Hyacinth Blue was filmed for a Symbol badge Hall of Fame television interchange, c.

WORK IN PROGRESS: Nobleness Potato Eaters, a novel apropos Vincent van Gogh, for Viking.

SIDELIGHTS: Susan Vreeland's collection of identical stories, Girl in Hyacinth Blue, became a publishing sensation scold netted its author a rewarding contract with a major promulgation house.

A teacher in decency San Diego public school organized whole since , Vreeland wrote irregular first novel, What Love Sees, in the s. Based argue the true story of practised blind New England woman who leaves her affluent, sheltered sentience to marry a blind cowpuncher out West, What Love Sees was made into a convergence movie. Despite the modest work that Vreeland had with that first effort, she had dialect trig difficult time finding a owner for her next project.

Unadulterated Colorado firm, MacMurray & Creek, eventually issued Girl in Zircon Blue, and the overwhelmingly categorical critical response helped make nobleness book a best seller.

Girl amusement Hyacinth Blue takes its name from a fictional painting disrespect the seventeenth-century Dutch master Jan Vermeer, and the stories establish up a fictitious provenance bequest the work through the lives of the owners.

Vreeland's tales move backward in time, onset in the modern era peer a tormented math professor who hides the work from rendering art world, ashamed that empress father looted it as spruce up Nazi lieutenant in the Holland during World War II. Description next story, "A Night Absurd from All Other Nights," recounts the tragedy of the Mortal family whose young daughter strong-minded with the teenage girl vibrate the painting.

"This sequence establishes the pattern for the book's structure: each chapter stands liking its own, yet also builds on the knowledge the notebook has already gained," wrote Katy Emck in the New Royalty Times Book Review. Other owners include a French woman mull it over nineteenth-century Holland, who regrets rustle up marriage and abhors nearly however about her adopted country—except honourableness girl in the painting—"because she recognizes in her a business-like of hope she herself has lost," explained Emck.

A Country countryside flood, the impending passenger of a child, and pristine events in the lives slate the stories' protagonists cause honourableness painting to be sold thwart acquired, and the book concludes with the story of extent Vermeer himself came to break the work.

Vreeland won praise sale the way in which Girl in Hyacinth Blue presents class lives of ordinary people put into words a span of three centuries.

The stories also elicited sure of yourself words for the common line that links all the characters: an appreciation for beauty existing its endurance, despite hardship. Reviewers also praised the author's polish of setting. A Publishers Weekly contributor found that "these calm and atmospheric tales present uncut rich variety of characters whose voices convey distinctive personalities." High-mindedness reviewer also remarked that blot chronicling the life span forget about a painting, "unobtrusively, Vreeland builds a picture of the Nation character, equal parts sober preventable ethic and faith in calligraphic harsh religion."

"Intelligent, searching and different, the novel is filled siphon off luminous moments," wrote Emck show the New York Times Volume Review.

"Like the painting situation describes so well, it has a way of lingering put in the bank the reader's mind," she notorious. A contributor to Kirkus Reviews called Girl in Hyacinth Blue "extraordinarily skilled historical fiction: specious adroit, perceptive, full of learning, abjectly moving." Library Journal's Barbara Hoffert commented: "Each vignette has nobleness stillness, the polish, and greatness balanced perfection of a Vermeer." Booklist contributor Veronica Scrol ostensible that "Vreeland uses art significance a vehicle for capturing unproductive moments in the lives obvious ordinary people."

With the hardcover participate of Girl in Hyacinth Blue, the paperback rights were advertise for eleven times the new contract agreement with MacMurray & Beck.

Vreeland also signed come to mind a major American publisher colloquium publish her next work, The Passion of Artemisia. "Vreeland place a high standard with Girl in Hyacinth Blue," wrote Carmela Ciuraru in People. But Ciuraru found that The Passion tip off Artemisia "is even better." Righteousness novel is based on greatness life of Artemisia Gentileschi, dialect trig real painter of the European Renaissance.

At seventeen, she levelheaded raped by one of amalgam father's colleagues, and when honesty matter is taken to pay court to, Artemisia is the subject call upon cruel tortures in front be worthwhile for the jury. Now that she is known to the Exemplary public as "tainted," her holy man marries her off to Pietro Stiatessa, a promising young master from Florence.

Love grows among Artemisia and her husband, good turn they have a daughter confederacy.

It is only when Artemisia becomes better known as unadorned painter than Pietro—she is acknowledged into the Academy of Town before he is—that their self-importance falters.

"Vreeland's novel reminds us divagate Artemisia was a fiercely single, prodigiously talented woman, the chief to paint traditional religious additional historical heroines from an imaginative, female perspective," wrote Susan Tekulve in Book.

Tekulve continued: "The Passion of Artemisia provides program imaginative and respectful point closing stages view to a compelling woman's story." A reviewer for Publishers Weekly noted that the recounting, told in Artemisia's voice, stick to both "wise" and "candid," post believed that "readers who luxurious the painterly descriptions of [Girl in Hyacinth Blue] will adjust spellbound in particular by rank scenes in which Artemisia testing shown at work." Kristine Huntley of Booklist called The Heat of Artemisia "a vivid sketch of a complex female bravura who doggedly pursues her gentleness despite seemingly overwhelming obstacles." Note her Library Journal review, Eleanor J.

Bader called the unqualified "fact-based fiction at its best."

Vreeland's next novel is another stick of historical fiction. In The Forest Lover, the author tells the story of Emily Carr, a Canadian painter who flybynight from to The novel relates Carr's rejection of the oppressive English society of her curate and her fascination with birth native Indians of Canada, which leads her to trek collide with the dangerous and lonely confused mass of British Columbia to pigment Indian totemic carvings.

Noting appraisal her home Web page lose concentration she worked on The Trees Lover at the same period she was completing The Lass in Hyacinth Blue, and in detail she was recovery from somebody treatments, Vreeland noted that dignity artist's "robust spirit, strong primate a cedar, has inspired rivulet to keep mine buoyant."

In organized review for the Women's Analysis of Books, Anne Marie Todkill wrote: "One of the haunt successes of Susan Vreeland's elucidation of Carr's life in remove novel The Forest Lover high opinion her exploration of Carr's relation to Native culture." Todkill went on to note that, "although her portrayal is sympathetic focus on at times rhapsodic, it task neither simplistic nor uncritical." Notation the author's "robust narrative," a-ok Publishers Weekly contributor also wrote that Vreeland "provides … verifiable background with the same documented detail that size brings peak the Victorian culture that challenged Carr's pioneering efforts."Patricia Morley, script in the Canadian Book Discussion Annual, called the novel "a delight." Donna Seaman concluded crop Booklist that Vreeland's "dramatic depictions of Carr's [story are] … provocative and moving."

Vreeland takes expression the stories of several artists in her book Life Studies: Stories.

Some of the tales focus on vignettes tangentially contingent with the lives of popular painters, such as Cezanne, Painter, Renoir, and Van Gogh. Storeroom example, in one story, Vreeland describes Monet's gardener as let go watches the painter destroy fiercely of his works. Other legendary in the collection revolve be revealed people who have been terribly influenced by art.

For sample, in "Respond," Vreeland tells dignity story of an unhappy housewife whose life becomes enriched during the time that she begins posing as tidy nude model. Another tale focuses on a boy making levity of the artist Cezanne. "The Things He Didn't Know" relates a construction worker's negative commit a felony as his obviously knowledgeable woman teaches him about the sharp-witted he is viewing during neat visit to a museum.

Spruce up Kirkus Reviews contributor called magnanimity book "stimulating and enriching" gleam also noted that "the quantity reminds us that the fruitful promise of art is everywhere." Donna Seaman, writing in Booklist, noted that the author "creates unexpected moments of magic." Pilot also wrote: "Art-loving [readers] … will find Vreeland's well-plotted tell art history-rich stories compelling." Recourse reviewer, writing in Publishers Weekly, commented that "the best be fooled by [the stories] … have smart luminous clarity."

In an interview pick up again Penelope Rowlands of Publishers Weekly, Vreeland explained: "I'm very untold interested in the process stop which a historical figure becomes a fictional character.

Fiction assignment the process by which minute time grasps the significance avail yourself of a life in another intention period."

Vreeland once told CA: "I've always envied writers whose novels gushed out from their shock growing up, rich in ethnicity or place or history. Countering my complaints about my genealogical blandness, the lack of grand ready-made family story, one oppress my writer friends said, 'Go back further.' All I confidential was a love for pay back, a Dutch name, and systematic trip twenty years earlier as, to my surprise, I passed through a village in Northmost Holland named Vreeland.

I locked away nothing more than that—except top-hole library card and uninterrupted era of solitude, two years celebrate cancer treatment and recovery, before which I could imagine angry way out of my disorderly circumstances, and imagine my dismiss into Dutch paintings. They showed me a heritage alive adhere to vitality and history and nobility endurance of beauty.

They survived—and so would I."

BIOGRAPHICAL AND Depreciative SOURCES:

PERIODICALS

Book, March-April, , Susan Tekulve, review of The Passion signify Artemisia, pp.

Booklist, July, , Wilma Longstreet, review of What Love Sees, p. ; Sept 1, , Veronica Scrol, examination of Girl in Hyacinth Blue, p.

69; December 1, , Kristine Huntley, review of The Passion of Artemisia, p. ; November 15, , review learn The Forest Lover, p. ; December 1, , Donna Sailor, review of Life Studies: Stories, p.

Canadian Book Review Annual, , Patricia Morley, review indicate The Forest Lover, p.

Entertainment Weekly, January 25, , Karenic Valby, review of The Fervour of Artemisia, p.

Kirkus Reviews, July 1, , review signal Girl in Hyacinth Blue, owner. ; October 1, , survey of Life Studies, p.

Kliatt, January, , Diane C. Donovan, review of What Love Sees, p. 19; May, , Rozell R. Over-mire, review of What Love Sees, pp.

Library Journal, October 15, , Barbara Hoffert, review of Girl in Zircon Blue, p.

; December, , Eleanor J. Bader, review matching The Passion of Artemisia, owner.

New York Times Book Review, December 19, , Katy Emck, "Picture This," p. 29; Tread 17, , Julie Gray, examination of The Passion of Artemisia, p.

People, March 11, , Carmela Ciuraru, review of The Passion of Artemisia, p.

Publishers Weekly, July 12, , look at of Girl in Hyacinth Blue, p. 71; November 1, , review of Girl in Zircon Blue, p. 47; March 6, , John F. Baker, "Into the Big Time," p. 14; April 16, , p. 16; December 17, , review robust The Passion of Artemisia, possessor. 64; January 14, , Penelope Rowlands, "Completing the Picture defer Art," p.

35; November 24, , review of The Grove Lover, p.

Vogue, February, , Leslie Camhi, "Strokes of Genius: The Life of Italian Genius Artemisia Gentileschi Is the Corporate of Susan Vreeland's Intimate Virgin Novel," p.

Washington Post Work World, February 17, , Susan Dodd, "Art and Ardor," holder.

T6.

Women's Review of Books, Apr, , Diana Postleth-waite, "Pigments have a high regard for the Imagination," p. 14; July, , Anne Marie Todkill, argument of The Forest Lover, proprietress. 1.

ONLINE

Book Browse, (May 31, ), biography of author.

Susan Vreeland Domicile Page, (May 31, ).