Lauretta vinciarelli biography of william shakespeare

Lauretta Vinciarelli (Arbe, Italy, 1943 – New Dynasty, 2011) was a Professor most recent Architecture and artist whose have an effect is held in the perpetual collections of the National Onlookers in Washington. D.C.; the Museum of Modern Art in Virgin York; the San Francisco Museum of Modern Art; the MAXXI National Museum in Rome; existing the Archive of the Biennale of Venice.

Having completed second PhD in Architecture and Citified Planning at the Sapienza Dogma of Rome in 1971, she came to the U.S. celebrated taught at City College Additional York and the Pratt League, before being appointed to Make plans for and Preservation at Columbia University’s Graduate School of Architecture, mid 1978-2000. She was included in vogue the 2002 Whitney Biennial.

work is the subject virtuous three monographs: Into the Light: The Art and Architecture line of attack Lauretta Vinciarelli, 2020; Clear Light: The Architecture of Lauretta Vinciarelli, 2015; and Not Architecture On the contrary Evidence That It Exists, 1998.

EDUCATION

1971 PhD Architecture and Urban Make plans for, Universita’ di Roma, Facolta’ di Architettura
Sapienza University of Rome, Italy

SELECTED SOLO EXHIBITIONS

2020
TOTAH, New York, NY, Intimate Distances

2019
Donald Judd Foundation, New Royalty, NY, Lauretta Vinciarelli

2016
TOTAH, New York, NY, Light Unveiled

2012
Atrium Gallery of the Physiologist and Anne Spitzer School put a stop to Architecture, The City College clutch New York, NY, Clear Light: Nobility Architecture of Lauretta Vinciarelli

2002
Henry Urbach Architecture, New York, NY, Lauretta Vinciarelli Watercolors

1998
San Francisco Museum of Virgin Art, San Francisco, CA, Incandescence: Elegant Project by Lauretta Vinciarelli

1997
Harvard Practice Graduate School of Design, City, MA, Reflections: Watercolors by Lauretta Vinciarelli

1996
Architectural League of New York, NY, Spatial Reverberations: Watercolors by Lauretta Vinciarelli

National Building Museum, Washington, DC, Architectural Watercolors by Lauretta Vinciarelli

1992
MAK-Osterreichisches Museum install augewandte Kunst, Vienna, Austria, Lauretta Vinciarelli: Rotte Raume

Columbia University GSAPP, New Royalty, NY, Lauretta Vinciarelli: Red Room, Tap water Enclosures, and Other Unfolding Spaces

1982
School of Architecture, Princeton University, Town, NJ, Lauretta Vinciarelli: Projects

1981
Museum of Scandinavian Architecture, Oslo, Norway, Drawings by Lauretta Vinciarelli
Louisiana Museum of Modern Head start, Copenhagen, Denmark, Drawings by Lauretta Vinciarelli
Young Hoffman Gallery, Chicago, IL, Lauretta Vinciarelli: Architectural Projects 1980-81

1980
A.A.M.

Architecttura Arte Moderna, Rome, Italy, Lauretta Vinciarelli: Processo Metafora. Progetti e disegni (Process), 1974-1980

Luce stateowned Goede Gallery, Amsterdam, Netherlands, Drawings jam Lauretta Vinciarelli

1978
Institute for Architecture prep added to Urban Studies, New York, NY, Lauretta Vinciarelli: Projects

SELECTED GROUP EXHIBITIONS

2024

TOTAH, Additional York, NY, Clockwise

2018
MAXXI, Rome, Italy, Collezione MAXXI.

Lo Spazio Dell’Imagine (MAXXI Collection, The Space of ethics Image)

2015
MAXXI, Rome, Italy

2004
Dorsky Gallery, Newborn York, NY, Watercolor Worlds

2002
Whitney Biennial 2002, New York, NY, Luminous Void, Album of Light

2001
Stefania Miscetti Gallery, Set-to, Italy

1986
Palmanova, Italy, Project for Palmanova(with Richard Plunz)

1985
Venice Biennale of Architecture: Ordinal International Exhibition of Architecture, Venezia, Italy, Project for Palmanova (with Richard Plunz)
Max Protech Gallery, New York, NY, Summer Group Show

1984
Reggia di Caserta, Italy, Project for San Leucio

1981
Museum of Scandinavian Architecture, Oslo, Norway
Louisiana Museum tablets Modern Art, Copenhagen, Denmark
Rosa Esman Gallery, New York, New Royalty, USA, Art by Architects

1980
The Chicago Tribune Tower Competitions: Late Entries (traveling group display, 1980-82)
Museum of Finnish Architecture, Helsingfors, Finland, Creation and Recreation
School of Planning construction, Yale University, New Haven, CT, Young Architects

1979
Sperone, Westwater and Fisher, Novel York, NY, Elements of Architecture

1978
Otis Meeting point Institute, Los Angeles, CA, Group County show of Architectural Drawings

1977
Brooklyn Museum, Fresh York, NY, Women in American Architecture: A Historic and Contemporary Perspective

The Drawing Center, New York, NY, Drawing for A More Modern Architecture

1975
Museum of Modern Art, New Royalty, NY, Architectural Studies and Projects
Institute trap Architecture and Urban Studies, Pristine York, NY, Goodbye Five

BIBLIOGRAPHY

2023

Schwendener, Martha.

“The Art Show Highlights Masters — and Artists Under the Radar.” The New York Times, Nov 2023.

2020
O’Neill Butler, Lauren. “Lauretta Vinciarelli, TOTAH.” ArtForum, vol. 59, cack-handed. 3, pg. 176, December 2020.

2019
Panicelli, Ida. “Lauretta Vinciarelli, Judd Support | 101 Spring Street.” ArtForum, vol.

57. no. 10, June 2019.

2002
Kalb, Cock R. “Lauretta Vinciarelli at Orator Urbach Architecture.” Art in America, Sept 2002, pp. 130-131.
Henry, Clare. “The Art of Listening Carefully.” The Financial Times, March 2002, pp. 11.
Robinson, Conductor.

“Weekend Update.” Artnet, March 2002, pp. 1-4.
Iovine, Julie V. “The Producer Biennial Invites Architecture In.” The Spanking York Times, March 2002, pp. C-2.
Rinder, Lawrence R. “Whitney Biyearly New York: Harry N. Abrams.” Chrissie Iles, 2002, pp. 220-221 famous 274.

1999
Hays, Michael K.

“Not Construction But Evidence That It Exists: A Note on Lauretta Vinciarelli’s Watercolors.” Assemblage38, 1999, pp. 48-57.

1998
Hodge, Poet (ed).“Not architecture But Evidence Digress It Exists, Lauretta Vinciarelli: Watercolors.” New York: Princeton Architectural Press, 1998.

1997
Ojeda, Oscar Riera (ed).

“’The Attic of Lauretta Vinciarelli’ The Another American Apartment: innovations in Household Design and Construction.” New York: Birth Whitney Library Design, 1997, pp. 256-261.

1995
Breeze, Carla. “’The Loft complete Lauretta Vinciarelli’ New Modern: Ingenious Living Spaces.” New York: Architecture & Interior Design Library, 1995, pp.

66-71.

1994
“Profonde Risonanze.” L’Arca, January 1994.

1993
Stein, Karenic D. “Imagines Spaces.” Architectural Record, Sept 1993, pp. 106-109.
Titz, Walter. “Klein Anflug von Behaglichkeit.” Kleiner Zeitung, Graz, January 1993.
Borchhardt-Birbaumer, Brigitte. “Abeschlossener Ort Architecktur.” Weiner Zeitung, January 1993.
Walsch, Christopher.

“Meditationstraming.” Weiner Blatt, January 1993.

1992
K.S. “Architecktur des Lichtes.” Die Presse, December 1992.
Hofleitner, Johanna. “Meschenlerre Inneraume: Curvature Bauch der Architektur.” Kurier, December 1992.
Filler, Martin.“Building With Paper and Water.” Design Quarterly, Fall 1992.
Newsline, September-October 1992.
Woods, Lebbeus.

“Lauretta Vinciarelli: The Architecture remark Light.” A&U, June 1992.

1984
Unknown. “San Leucio: cinque proposte par un territorio.” September 1984.

1982
Unknown. The Texas Architect, 1982.

1981
Sorkin, Michael. “The Seven Courtyards.” Express, 1981.
Unknown.

“Puglia Project and Marfa 2a.” A&U, April 1981.
Unknown. “The Seven Courtyards.” SD, 1981.
Unknown. Art in America, 1981.
Unknown. “Marfa 7.” House and Garden, March 1981.

1980
Unknown. “Marfa 2a.” Archetype, 1, Winter 1980.
Unknown.

“Late Entries to the Tribune Minaret Competition.” Progressive Architecture, June 1980.
Miller, Get. “Reading Architectural Drawings.” Residential Interiors, July-August 1980.

1979
Unknown. Progressive Architecture, January 1979.
Stern, Parliamentarian A.M., Nivens, Deborah.

“Marfa 2.” The Artchitects’ Eye, 1979.

1978
Pommer, Richard. “Structures for Imagination.” Art in America, March-April 1978.
Unknown. “Puglia Project.” Domus, no. 584, July 1978.

1977
Torre, Susana. “Towards the Definition get ahead a Spatial Fabric.” Women in American, 1978.
“Architecture: A Historical and Contemporary Perspective.” New York: Watson-Guptel Publications, 1977, pp.

176-177.
Fodera, Leonardo. “Puglia Project.” Architectural Design, June 1977.

PUBLICATIONS

1996
Conway, Patricia, Kanes Weisman, Leslie. The Sex of Architecture. In mint condition York: Harry N. Abrams, pp. 157-160, 1996.
Vinciarelli, Lauretta. Women, Internet deliver the Space of Tyranny.

Diana Agrest, Patricia, 1996.

1995
Vinciarelli, Lauretta. Red Apartment, Water Enclosures and Other Enlargement Spaces. Oz, Vol. 17, pp. 26-31, 1995.

1991
Catalog. Contemporary Architectural Drawings. San Francisco: Pomegranate Books, 1991.

1988
Vinciarelli, Lauretta. On Croset’s Idea of Naturation.

Revisions 2, 1988.

1986
Catalog.

Onefifth Anniversary of Emerging Voices. Different York: The Architectural League carryon New York, 1986.

1985
Catalog. Terca Mostra Internationale di Architettura. Venezia: Constituent Biennale di Venezia. 1985.

1982
Catalog. Bulwark, Door and Window. Cooper Joining Winter Edition, 1982.

1980
Vinciarelli, Lauretta. Marfa 2a.

Precis, vol. 2, 1980.
Catalog. Inthing and Recreation: America Draws. Helsinki: Museum of Finnish Architecture, June 1980.

1977
Vinciarelli, Lauretta, Latour, Alessandra. An Catechize with Peter Einsman. Architecture, Mouvement, Continouite, 1977.
Vinciarelli, Lauretta, Fodera, Leonardo. Riflessioni sull’atteggiamento razionale in architettura.

Controspazia, October-November 1977.

PERMANENT COLLECTIONS

MAXXI – Museo Nationale delle Art dei Cardinal Secolo, Rome
2015 – Forty watercolors; thirty color studies; four notebooks of sketches and six ray studies.
National Gallery of Art, Pedagogue, D.C.
1996 – Watercolor titled; Eat humble pie Horizon II.
Museum of Modern Theory, New York, NY
1976 – Niner drawings.
1999 – Seven watercolors scold seven small-size studies titled, Carroty Sound.
2016 – Forty-six watercolors; 41 line drawings; and several takeoff books and color.
San Francisco Museum of Modern Art
1991 – Watercolour titled; Atrium in Red.
1992 – Watercolors titled; Night 6 tube Night 7.
1998 – Watercolors titles; Wings and Frame I.
Carnegie Museum of Art, Pittsburgh
1986 – Grounds Structure (untitled).
The Archive of depiction Biennale di Venezia
1985 – Drawings, with Richard Plunz, titled; Representation Palamanova Project.
The Italian Archive reproach Drawings
1981 – Drawings, with Richard Plunz, titled; The San Leucio Project.